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Usually it’s a cold or flu, so this is a new one for me,” she says, brandishing hands flushed with tiny red spots. “I do New York, Milan and Paris, and I always end up getting sick. The jaunt is a twice-yearly ritual: menswear and furniture shows the spring and summer, then women’s ready-to-wear in the autumn. When we meet up, at an upmarket London hotel in October, she is combining a whistlestop publicity trip for her third novel, To Paradise, with two weeks of European fashion shows that have left her with “a mysterious illness” which, she hastens to add, is definitely not Covid.
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But far from giving up her day job, Yanagihara took on a bigger one, as editor-in-chief of T, the New York Times style magazine. A Little Life sold a quarter of a million print copies in the UK alone, where it was shortlisted for the Booker and the Women’s prize for fiction. Victoria Beckham and Dua Lipa declared themselves fans, while an equally passionate group of readers condemned it as gratuitous, even “evil”. It was about the fallout, among four college friends, from the appalling childhood sexual abuse of one of their group, and it hit the jackpot, becoming one of those vanishingly rare literary break-outs. Two years later, the Manhattan-based writer released a novel that was twice as long and even less forgiving. It impressed reviewers with its exhaustive inventiveness and its refusal to offer redemption or solace, but sold only a few thousand copies when it was published in 2013. The People in the Trees was the story of a scientist jailed for sexually abusing children he adopted during his Nobel-winning research on a Pacific island. H anya Yanagihara’s debut novel taught her not to give up her day job as a travel writer and editor.